mogno f003

ENTRE NOSOTROS
Laura Lahera voice
Fulvio Paredes guitar
Henri Greindl (Belgium) doublebass
Osvaldo Hernández (México)percussion
Alfredo Marcucci (Argentina) bandonˇon
Thierry Marinelli (Belgium) violin
Matias de Oliveira Pinto (Brasil) cello

Contacts / booking

Mogno Music
T +32 (0)2 358 45 12
F +32 (0)2 358 47 15
Mail to : info at mognomusic.com
bookingATmognomusic.com
www.mognomusic.com

A.F.A.L asbl
T & F + 32 (0)2 375 09 69


Arrangements: Fulvio Paredes
Produced by: Henri Greindl for Mogno A.S.B.L
Recirded by: Yvan Hanon & Marjolaine Charbin - Studio "El Gato Magro", Brussels- april 1999
Mixed and Masterised by: Henri Greindl - Mogno Studio, april 1999
Photos: Boris Lehman & Henri Greindl
Layout: Signé Lazer

ENTRE NOSOTROS - Laura Lahera & Fulvio Paredes

An intimate journey through Latin-American song, in wich Laura Lahera and Fulvio Paredes offer a very personal approach, allusive, full of nuances, based on an intense dialogue between voice and guitar.
01 Maria (Argentina, tango, 1945)(C. Castillo/A. Troilo)
3’34’’
02 Toda Mi Vida (Argentina, tango,) (J.M. Contursi/A. Troilo) 2’45’’
03 Taconeando (Argentina, tango, 1931) (J. H. Staffolani./P. Maffia)
2’51’’
04 Pedacito De Cielo ( Argentina, Vals) (H. Expósito/Francini/Stamponi) 2’45’’
05 La Mentira (México, Bolero)(A. Carillo) 4’21’’
06 Serenatero De Bombos (Argentina, zamba)
4’19’’
07 Lamento Borincano (Puerto Rico, 1930) (R. Hernández)
4’04’’
08 Violin De Becho (Uruguay, milonga )(A. Zitarrosa)
3’28’’
09 Gracias A La Vida (Chile, cueca)(V. Parra)
3’55’’
10 Como Dos Extraños (Argentina, tango, 1940)(J. M. Contursi/P. Laurenz)
3’01’’
11 Madreselva (Argentina, tango)(C. Amadori/F. Canaro) 3’19’’
12 Amarraditos (Perú, vals)(M. Durán/P.Belisario Pérez) 2’04’’
13 Pajarillo Verde (Venezuela, joropo)(tradicional) 2’55’’
14 Na Baixa Do Sapateiro (Brasil)(A. Barroso) 5’34’’
15 Anahi (Paraguay, guarania)(Cordero) 3’46’’
16 Oblivion (Argentina)(D. Mc Neal/A. Piazzolla) 4’45’’
    58’22’’

"I felt the need to practice tango, but also that of innovating", explains Laura, adding: "Tango in not always tragical, but always deep. It involves a lot of poetry. I want it to really be sung, that there should be some space to tell stories".

The first common record of Laura Lahera and Fulvio Paredes hilights their approach of the tango based on a permanent and deep dialog between voice and guitar.

Tango was for them originally no more than their parents' music. It is however only much later, after having toured the world as professional musicians, that Laura and Fulvio, rediscovered, each on its own, the way to the tango. Not in fact to identically reproduce the tunes of their infancy, but with the intent to deliver the whole poetry proper to the tango.

Getting rid of the traditional singer-accompaniment model, and not eager to make dance, Laura and Fulvio reinvent the songs of their childhood.

Fulvio, whose carreer led him successively in Brasil, Switserland and Germany, rediscovered the tango by playing with Dino Saluzzi in 1994.