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ANDALE DANDO - APIKON-DIÁ
This trio makes music inspired mainly by the traditions of their own three countries : Argentina, Venezuela and Mexico. We find the rythmic richness and harmonic peculiarities common to thos cultures in the original compositions that lead to the most improbables improvisations!
Juan Carlos Tolosa - Argentina - piano; David Nunez - Venezuela - violin & mandolin; Osvaldo Hernandéz - Mexique - percussion
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| 01 |
Te voy a contar un sueno (Jacinto Piedra)
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5’59’’ |
| 02 |
Saxonia 8 & 10 (Fulvio Paredes) |
2’30’’ |
| 03 |
Impro (J.C. Tolosa - D.Nunez)
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3’59’’ |
| 04 |
4 Grito Santiagueno (Raul Carnota) |
4’09’’ |
| 05 |
La Bikina (Ruben Fuentes) |
3’29’’ |
| 06 |
Morena (Jose Eduardo Gramani)
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2’52’’ |
| 07 |
Tutu Muyamane (Sacred Huichol)
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1’37’’ |
| 08 |
Sus Ojos se Cerraron (Gardel-Lepera)
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8’55’’ |
| 09 |
Un Heladero con Clase (Luis Laguna)
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3’50’’ |
| 10 |
Dominquinhos nó Parque (Toninho Ferragutti)
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4’28’’ |
| 11 |
Baguala # 1 (Osvaldo Hernandéz) |
4’03’’ |
| 12 |
Andale Dando (Titi Rivarola) |
6’18’’ |
| 13 |
Mima (Gonzalo Rubalcaba) |
3’41’’ |
| 14 |
Que Atrocidad (David Nunez) |
2’48’’ |
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58’44’’ |
In the idiom of the Desanas Indians from Amazonia, Apikon Dia means the meeting of the opposites, a mythic place where all probalities could happen at the same time...
This trio makes music inspired mainly by the traditions of their own three countries : Argentina, Venezuela and Mexico. We find the rythmic richness and harmonic peculiarities common to thos cultures in the original compositions that lead to the most improbables improvisations! |
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